I’ve wrestled deeply on how to even begin this article. As I previously mentioned in my Bombshell review, I’m not really what you’d call a political guy. I know of the things currently going on in the world, but I couldn’t actually hold a conversation about them. I could listen but couldn’t actually conversate in the way that I hold conversations about film, television or comics. I wrestled with whether or not to make this cold open about war or not. I don’t feel like it’s right to talk about something which I have no knowledge about. Rather something, that I have do.
Victims and Villains was never intended to become what it is today. For me, it was a means to reconnect with a friend. Yes, for those of you who have been with us since the beginning. In the beginning, it was just podcasting and I, indeed, did have a co-host. This was originally envisioned as a way to talk about comics and movies with a friend. In my personal life, it was meant to be a way to escape my depression. Whether we’re talking about comics, movies or making content that has the heart to let people know of their value, superheroes have always been a core passion for us. Comics, comic book movies, Marvel, DC, independent publishers, etc.
In real life, we don’t have superheroes that study computers from caves or are from other planets that protect us. We don’t have billionaires stepping into tin cans to ward off evil or kings who pass down warrior mantles to the next generation. We do have heroes, though. Men and women who risk their lives each and every day to keep this thing called freedom in place. Police officers, firefighters, EMTS, FBI, CIA, and the multiple branches of the military. Even when I can’t speak into the politics that always drives these heroes, I can speak into the heroism of every man and woman serving. So, thank you, for your bravery. Thank you for defending this country. My deepest gratitude goes to you. If you or someone you know is in need of any PTSD resources, please consider our resources page.
Stepping out of the iconic shadow of James Bond, co-writer-director, Sam Mendes returns for 1917. The film follows two British soldiers (George McKay & Dean-Charles Chapman) on a mission to deliver a message to another battalion. The message could save the lives of over 16, 000 men. From start to finish, there is an immaculate attention to detail. Mendes and cinematographer, Roger Deakins, do an incredible job at engrossing viewers right away. The film wastes no time spending you into the trenches. That’s where the beauty of the film really begins. The opening frame quickly prepares audiences for the emotional, cut-throat pace of the next two hours of their lives.
Mendes and Deakins do an incredible job of creating an authentic environment. In any given frame there is nearly as much detail in the background as there is in the foreground. The movement of the camera is an incredible feat. Mendes is a master of his craft as he invites audiences throughout this intimate and powerful vision of war. The camera angles and their intentionality help solidify that vision. The dialogue is smaller than most movies. Perhaps, this is a trade of war films, I don’t usually watch a lot. The film relies very heavily upon bringing audiences through this visual journey.
The score by Thomas Newman is another impressive feat for this film. Newman intensifies the environment, in one moment. In the next, he is pulling at your heart strings for some of the more tender moments in 1914. If you’re reading this and have yet to see the film, bring tissues. While the film does have its talent to boast in forms of Colin Firth, Benedict Cumberbatch and Mark Strong. McKay and Chapman are whom audiences spend the most time with. The chemistry between the two, even from the opening shots, is incredible. Chapman is incredibly moving and powerful story to watch unfold. Honestly, should be a star on the rise.
Overall, 1917, is art in the finest cinematic format. Co-writer and director, Sam Mendes, spins a simplistic tale of war and friendship that is bold and beautiful. Mendes brings a uniquely intimate style of visual storytelling that helps craft a more impactful film. The attention to detail and beauty throughout are immaculate. The cinematography by Roger Deakins is flawless. Bringing out the beauty in the ugliness of war, Deakins with Mendes’ camera angles helps solidify a deeply moving movie that will leave audiences speechless. George McKay & Dean-Charles Chapman are nothing short of perfection as they lead the film to the frontlines of masterpiece. The performances, the visuals and the score by Thomas Newman absolutely solidify 1917 as nothing shy of impactful perfection.
RORSCHACH RATING:
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Music by Beggars. 1917 is property of Universal and Dreamworks Pictures.. We do not own nor claim any rights.